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Invest in an original, for it will always retain its worth. An imitation will never be anything but a copy, a stolen idea. Appreciate the differences – not just the quality and more obvious variances but also the sensory and emotional appeal of the authentic product. An original is a lifelong companion and may well outlive you to be gratefully received by the next generation. But that’s a story for the future.

GRAND REPOS & OTTOMAN - ANTONIO CITTERIO, 2011  THE GRAND REPOS WING CHAIR BY ANTONIO CITTERIO OFFERS EXCEPTIONAL COMFORT, PARTICULARLY WHEN PAIRED WITH THE OTTOMAN. THE SYNCHRONISED MECHANISM CONCEALED BENEATH THE UPHOLSTERY SUPPORTS THE USER AT EVERY ANGLE OF INCLINATION AND CAN BE LOCKED IN ANY POSITION. ONCE THE USER IS COMFORTABLY RECLINED, THE OTTOMAN PROVIDES A SOFT FOOT REST FOR ULTIMATE RELAXATION.  THE CHARACTERISTIC HEAD SECTION INVITES THE USER TO LEAN BACK AND CREATES A SENSE OF SHELTER AND SECLUSION. THE DECORATIVE SEAMS IN THE FABRIC OR LEATHER UPHOLSTERY OF SOME VERSIONS LEND THE ARMCHAIR AN ALMOST ARTISANAL LOOK.

GRAND REPOS & OTTOMAN - ANTONIO CITTERIO, 2011

THE GRAND REPOS WING CHAIR BY ANTONIO CITTERIO OFFERS EXCEPTIONAL COMFORT, PARTICULARLY WHEN PAIRED WITH THE OTTOMAN. THE SYNCHRONISED MECHANISM CONCEALED BENEATH THE UPHOLSTERY SUPPORTS THE USER AT EVERY ANGLE OF INCLINATION AND CAN BE LOCKED IN ANY POSITION. ONCE THE USER IS COMFORTABLY RECLINED, THE OTTOMAN PROVIDES A SOFT FOOT REST FOR ULTIMATE RELAXATION.

THE CHARACTERISTIC HEAD SECTION INVITES THE USER TO LEAN BACK AND CREATES A SENSE OF SHELTER AND SECLUSION. THE DECORATIVE SEAMS IN THE FABRIC OR LEATHER UPHOLSTERY OF SOME VERSIONS LEND THE ARMCHAIR AN ALMOST ARTISANAL LOOK.

 

Eve Waldron has been specifying and supplying Vitra Furniture and products since 1985. At Eve Waldron Design Ltd we provide access to the entire Vitra range. We can supply, space plan & recommend the most appropriate Vitra pieces to meet your specific requirements.

Below are just a few of the Vitra Furniture pieces that Eve and her Team specify and supply. If you have a specific Vitra Piece in mind or would simply like to explore the Vitra range (residential or commercial) please contact us on 01223 470370 or via email

SUITA SOFA FAMILY - ANTONIO CITTERIO, 2010  CHARACTERISED BY AN ELEGANT TECHNOLOGICAL AESTHETIC, THE SUITA SOFA FAMILY COMPRISES MANY DIFFERENT COMPONENTS. THESE CAN BE USED AS INDEPENDENT ELEMENTS OR FREELY COMBINED TO ADAPT TO ALL KINDS OF INTERIOR ENVIRONMENTS AND FURNISHING NEEDS. THE SEAT AND BACK CUSHIONS ARE AVAILABLE IN FIRM OR SOFT VERSIONS. THE GEOMETRICALLY PRECISE BODY AND CUSHIONS SEEM TO FLOAT ABOVE THE SLEEK, BRIDGE-LIKE ALUMINIUM LEGS, WHICH CAN BE SEEN AS A TRIBUTE TO MID-CENTURY AMERICAN DESIGN.

SUITA SOFA FAMILY - ANTONIO CITTERIO, 2010

CHARACTERISED BY AN ELEGANT TECHNOLOGICAL AESTHETIC, THE SUITA SOFA FAMILY COMPRISES MANY DIFFERENT COMPONENTS. THESE CAN BE USED AS INDEPENDENT ELEMENTS OR FREELY COMBINED TO ADAPT TO ALL KINDS OF INTERIOR ENVIRONMENTS AND FURNISHING NEEDS. THE SEAT AND BACK CUSHIONS ARE AVAILABLE IN FIRM OR SOFT VERSIONS. THE GEOMETRICALLY PRECISE BODY AND CUSHIONS SEEM TO FLOAT ABOVE THE SLEEK, BRIDGE-LIKE ALUMINIUM LEGS, WHICH CAN BE SEEN AS A TRIBUTE TO MID-CENTURY AMERICAN DESIGN.

LOUNGE CHAIR & OTTOMAN - CHARLES & RAY EAMES, 1956  THE LOUNGE CHAIR, CREATED BY CHARLES AND RAY EAMES IN THE 1950S, WAS DESIGNED WITH THE AIM OF COMBINING AN ELEGANT APPEARANCE WITH ULTIMATE COMFORT. IT HAS BEEN PRODUCED BY VITRA USING VIRTUALLY THE SAME METHODS EVER SINCE, AND IS NOW RECOGNISED AS A GREAT CLASSIC OF TWENTIETH-CENTURY FURNITURE DESIGN. OFFERED IN TWO SIZES AND VARIOUS CONFIGURATIONS WITH DIFFERENT TYPES OF LEATHER UPHOLSTERY COVERS, WOODEN SHELLS AND BASES, THE LOUNGE CHAIR IS IDEALLY COMPLEMENTED BY THE MATCHING OTTOMAN.

LOUNGE CHAIR & OTTOMAN - CHARLES & RAY EAMES, 1956

THE LOUNGE CHAIR, CREATED BY CHARLES AND RAY EAMES IN THE 1950S, WAS DESIGNED WITH THE AIM OF COMBINING AN ELEGANT APPEARANCE WITH ULTIMATE COMFORT. IT HAS BEEN PRODUCED BY VITRA USING VIRTUALLY THE SAME METHODS EVER SINCE, AND IS NOW RECOGNISED AS A GREAT CLASSIC OF TWENTIETH-CENTURY FURNITURE DESIGN. OFFERED IN TWO SIZES AND VARIOUS CONFIGURATIONS WITH DIFFERENT TYPES OF LEATHER UPHOLSTERY COVERS, WOODEN SHELLS AND BASES, THE LOUNGE CHAIR IS IDEALLY COMPLEMENTED BY THE MATCHING OTTOMAN.

PLYWOOD GROUP DCW - CHARLES & RAY EAMES  THANKS TO THE ORGANIC SHAPE OF THE PLYWOOD SHELLS AND THE SLIGHTLY FLEXIBLE BACKRESTS, THESE LIGHT AND COMPACT CHAIRS ARE EXTREMELY COMFORTABLE – ALSO IN THE VERSIONS WITHOUT UPHOLSTERY.  THE DCW (DINING CHAIR WOOD) BEARS WITNESS TO THE ULTIMATE SUCCESS OF CHARLES AND RAY EAMES' EARLY EXPERIMENTS WITH MOULDING PLYWOOD INTO COMPLEX SHAPES. MADE ENTIRELY OF WOOD, THE APPEARANCE OF THIS ICONIC CHAIR REMAINS AS CONTEMPORARY TODAY AS WHEN IT WAS FIRST CONCEIVED.

PLYWOOD GROUP DCW - CHARLES & RAY EAMES

THANKS TO THE ORGANIC SHAPE OF THE PLYWOOD SHELLS AND THE SLIGHTLY FLEXIBLE BACKRESTS, THESE LIGHT AND COMPACT CHAIRS ARE EXTREMELY COMFORTABLE – ALSO IN THE VERSIONS WITHOUT UPHOLSTERY.

THE DCW (DINING CHAIR WOOD) BEARS WITNESS TO THE ULTIMATE SUCCESS OF CHARLES AND RAY EAMES' EARLY EXPERIMENTS WITH MOULDING PLYWOOD INTO COMPLEX SHAPES. MADE ENTIRELY OF WOOD, THE APPEARANCE OF THIS ICONIC CHAIR REMAINS AS CONTEMPORARY TODAY AS WHEN IT WAS FIRST CONCEIVED.

ID TRIM - ANTONIO CITTERIO, 2010/2016  THE BACKREST OF THE ID TRIM OFFICE CHAIR CONVEYS A SENSE OF CLASSIC ELEGANCE AND QUALITY CRAFTSMANSHIP. THE SANDWICH CONSTRUCTION WITH INTEGRATED LUMBAR SUPPORT PROVIDES THE COMFORT OF AN UPHOLSTERED BACKREST WHILE BEING ALMOST AS SLIM AS A MESH BACKREST. IT ADAPTS TO THE CONTOURS OF THE SITTER'S BODY AND DISTRIBUTES VARYING DEGREES OF FLEXIBILITY AND SUPPORT TO THE CORRECT ZONES.

ID TRIM - ANTONIO CITTERIO, 2010/2016

THE BACKREST OF THE ID TRIM OFFICE CHAIR CONVEYS A SENSE OF CLASSIC ELEGANCE AND QUALITY CRAFTSMANSHIP. THE SANDWICH CONSTRUCTION WITH INTEGRATED LUMBAR SUPPORT PROVIDES THE COMFORT OF AN UPHOLSTERED BACKREST WHILE BEING ALMOST AS SLIM AS A MESH BACKREST. IT ADAPTS TO THE CONTOURS OF THE SITTER'S BODY AND DISTRIBUTES VARYING DEGREES OF FLEXIBILITY AND SUPPORT TO THE CORRECT ZONES.

ALUMINIUM CHAIRS - CHARLES & RAY EAMES, 1958  THE ALUMINIUM CHAIR IS ONE OF THE GREAT FURNITURE DESIGNS OF THE TWENTIETH CENTURY. CHARLES AND RAY EAMES CONCEIVED AND DEVELOPED THIS CHAIR IN 1958 FOR THE PRIVATE RESIDENCE OF AN ART COLLECTOR IN COLUMBUS, INDIANA (USA).

ALUMINIUM CHAIRS - CHARLES & RAY EAMES, 1958

THE ALUMINIUM CHAIR IS ONE OF THE GREAT FURNITURE DESIGNS OF THE TWENTIETH CENTURY. CHARLES AND RAY EAMES CONCEIVED AND DEVELOPED THIS CHAIR IN 1958 FOR THE PRIVATE RESIDENCE OF AN ART COLLECTOR IN COLUMBUS, INDIANA (USA).

ALLSTAR - KONSTANTIN GRCIC, 2014  THE ALLSTAR OFFICE CHAIR BY KONSTANTIN GRCIC SATISFIES ALL THE NECESSARY FUNCTIONS OF A TASK CHAIR, ALLOWING IT TO BE USED WHEREVER HIGH FUNCTIONAL PERFORMANCE IS DESIRED BUT A CLASSIC OFFICE CHAIR WOULD NOT BE APPROPRIATE FOR AESTHETIC REASONS – AN ESPECIALLY IDEAL CHOICE FOR MODERN WORKPLACE CONCEPTS.

ALLSTAR - KONSTANTIN GRCIC, 2014

THE ALLSTAR OFFICE CHAIR BY KONSTANTIN GRCIC SATISFIES ALL THE NECESSARY FUNCTIONS OF A TASK CHAIR, ALLOWING IT TO BE USED WHEREVER HIGH FUNCTIONAL PERFORMANCE IS DESIRED BUT A CLASSIC OFFICE CHAIR WOULD NOT BE APPROPRIATE FOR AESTHETIC REASONS – AN ESPECIALLY IDEAL CHOICE FOR MODERN WORKPLACE CONCEPTS.

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